Okay, no one expects this movie to be the height of cinematic excellence, but it’s just cracking me up tonight:
- The USGS rep cautioning against putting the town on alert…well, of course, he dies later, because that’s what happens to wrong people in movies. But the whole idea that two people die in a hot spring and the town isn’t *already* on alert due to the news and media talking it up? ::eyeroll:: I mean, two people dying in a lake that suddenly became acid would surely warrant a blip or two on CNN, much less the state and Seattle (nearest urban area) news. And I’d credit a lack of news coverage in “ye olden days”, but the scene at the end of the rescue from the mine shaft is lit with at least twenty flash bulbs….so the two deaths in acidic hot springs didn’t warrant a blip, but the rescue of a USGS worker and a family that was idiotic enough to be still on the mountain does?
- Pierce Brosnan is so stoically British as they’re evacuating from Grandma Ruth’s house. “Rachel, Ruth, we really must go,” he says calmly as a fire erupts over one wall.
- The idiot kid who goes up the mountain for Grandma…has he not heard of a phone? And I can’t imagine that his mom had the town pull out and review evacuation plans but didn’t actually tell her kids a plan just in case…and the plan surely doesn’t involve driving up the mountain. Then again, this is a parent who simply tells her kids that the mine shaft “isn’t safe”, not grounding the kid for going in there and not telling him the reason why it’s not a good idea.
- Grandma Ruth wades through an acid lake to pull the family to safety…but the sad part is that if the adults were doing what Pierce Brosnan’s character did, wrapping their arms in fabric and rowing together, Grandma’s sacrifice wouldn’t have been necessary.
- Ridiculous dog rescue scene…but of course, we had to save the family dog. Grandma can be left to die on the mountain, but we have to risk the truck to save the family dog.
- Speaking of Grandma’s death, the special effects guys couldn’t manage to make her wounds look real in any sense of the word. The kids’ scrapes later on look far worse than Ruth’s legs from the wading through acid, and yet we get this super-dramatized scene where she just can’t go on.
- Pierce’s arm is supposedly visibly broken…we have a scene where he points a flashlight at a bone protrusion…but he still uses that arm to push himself up a half scene later, without even a mild moan of pain. Maybe shock has set in?
- We’ve got a really crappy national guard that a) crosses the town bridge when there’s clearly a giant mass of logs coming right at it and b) doesn’t tether the clearly ill-equipped minivan to one of the Hummers? Hell, I can’t imagine a National Guard that wouldn’t simply tell the USGS crew to abandon the minivan and get in the damn Hummer.